{"id":1865,"date":"2026-01-27T15:58:54","date_gmt":"2026-01-27T14:58:54","guid":{"rendered":"http:\/\/www.dallenogare.biz\/fr4\/?p=1865"},"modified":"2026-02-11T07:59:10","modified_gmt":"2026-02-11T06:59:10","slug":"lecture-suivie-du-jeu-de-lamour-et-du-hasard","status":"publish","type":"post","link":"http:\/\/www.dallenogare.biz\/fr4\/lecture-suivie-du-jeu-de-lamour-et-du-hasard\/","title":{"rendered":"Autre lecture suivie du Jeu de l&rsquo;Amour et du Hasard"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1865\" class=\"elementor elementor-1865\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-58c5f597 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"58c5f597\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-15de7089\" data-id=\"15de7089\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2e490d12 elementor-widget elementor-widget-text-editor\" data-id=\"2e490d12\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><strong>Quelques mots latins\u00a0:<\/strong><\/h3><ul><li><u>Quiproquo<\/u>\u00a0: Erreur qui consiste \u00e0 prendre une personne, une chose pour une autre\u2009; malentendu qui en r\u00e9sulte. Ce peut \u00eatre comique, mais \u00e7a d\u00e9pend pour qui. Dans cette pi\u00e8ce, ceux qui se r\u00e9jouissent (au d\u00e9but) sont Orgon, Mario et Arlequin (Arlequin = la joie de vivre, joie de vivre volontiers malicieuse, un \u00ab\u2009clown\u2009\u00bb). Pour Sylvia et Dorante, le quiproquo provoque de l\u2019inqui\u00e9tude, de la tristesse, de la g\u00eane\u2026 Lisette est emb\u00eat\u00e9e, mais seulement au d\u00e9but.<\/li><li><strong><u>QQOQCCP<\/u><\/strong> (pour \u00ab\u2009Qui\u2009? Quoi\u2009? O\u00f9\u2009? Quand\u2009? Comment\u2009? Combien\u2009? Pourquoi\u2009?\u2009\u00bb)<\/li><\/ul><p style=\"padding-left: 40px;\">\u00ab\u2009<em>Quis, Quid, Ubi, Quibus auxiliis, Cur, Quomodo, Quando<\/em>\u2009\u00bb)<\/p><p style=\"padding-left: 40px;\">\u00ab\u2009<em>Who, What, Where, When, Why?<\/em>\u2009\u00bb (+ <em>How<\/em>)<\/p><p style=\"padding-left: 40px;\">= m\u00e9thode d\u2019investigation, de r\u00e9flexion dans le but d\u2019observer et de comprendre<\/p><p style=\"padding-left: 40px;\">(= m\u00e9thode heuristique\u00a0: Aristote en est \u00e0 l\u2019origine)<\/p><p style=\"padding-left: 40px;\">\u00ab\u2009<em>heuristique<\/em>\u2009\u00bb\u00a0: qui concerne les m\u00e9thodes \u00e0 utiliser pour trouver quelque chose &#8211; du grec <em>eurisk\u00f4<\/em>, je trouve (tout le monde conna\u00eet le fameux <em>eureka<\/em>, \u00ab\u2009j\u2019ai trouv\u00e9\u2009\u00bb, d\u2019Archim\u00e8de).<\/p><p style=\"padding-left: 40px;\">Une distinction importante\u00a0: les six premi\u00e8res questions permettent des observations <em>factuelles<\/em> alors que la question du \u00ab\u2009POURQUOI\u2009\u00bb\u00a0est une question qui va donner lieu \u00e0 des propositions d\u2019<em>interpr\u00e9tations<\/em>. Propositions d\u2019interpr\u00e9tations qui vont-elles-m\u00eames amener le chercheur \u00e0 approfondir par de nouveaux \u00ab\u2009<a href=\"http:\/\/www.dallenogare.biz\/cours\/index.php\/2020\/08\/26\/sinterroger-pour-trouver-ou-pour-sinterroger\/\" target=\"_blank\" rel=\"noopener\">Mais pourquoi\u2009<\/a>\u00bb\u2026<\/p><p style=\"padding-left: 40px;\">Important de ne jamais s\u00e9parer les interpr\u00e9tations des observations\u2009! sinon le texte sert de pr\u00e9texte \u00e0 des \u00e9lucubrations sans rapport avec lui.<\/p><p style=\"padding-left: 40px;\">La science de l\u2019interpr\u00e9tation est <em>l\u2019herm\u00e9neutique<\/em>, du dieu grec Herm\u00e8s, le passeur, le messager, qui permet de \u00ab\u2009passer\u2009\u00bb \u00e0 un autre plan que la simple observation, \u00e0 un plan de r\u00e9flexion sur le <em>sens<\/em>.<\/p><h3><strong>Examen des Actes I et II \u00e0 l\u2019aide de la m\u00e9thode kuku\u00f4ku\u00e7\u00e9\u00e7\u00e9p\u00e9<\/strong><\/h3><p>L\u2019acte I a pour fonction essentielle de poser les \u00e9l\u00e9ments principaux de la pi\u00e8ce.<\/p><ul><li>Les personnages principaux (Arlequin n\u2019y appara\u00eet pas, sauf \u00e0 la toute fin)\u2009;<\/li><li>Le ressort de l\u2019intrigue\u00a0: le double \u00e9change des r\u00f4les de ma\u00eetre et de valet\u2009;<\/li><li>Le point de d\u00e9part de l\u2019aventure principale\u00a0: la premi\u00e8re rencontre entre Silvia et Dorante les place rapidement dans une situation difficile, voire impossible vu le quiproquo\u00a0: ils se plaisent imm\u00e9diatement, quelque chose qu\u2019ils ne ma\u00eetrisent pas les rapproche\u2009;<\/li><li>Le \u00ab\u2009style\u2009\u00bb propre (pl\u00e9onasme) de Marivaux qui frappera. Marivaux donnera son nom \u00e0 une forme particuli\u00e8re, subtile et recherch\u00e9e, de langage amoureux et de man\u0153uvres galantes\u00a0: le marivaudage. Ce \u00ab\u2009marivaudage\u2009\u00bb appara\u00eet typiquement d\u00e8s le premier dialogue, d\u00e9j\u00e0 galant, entre Dorante et Silvia.<\/li><\/ul><p>Dans l\u2019acte I est \u00e9galement pos\u00e9 le \u00ab\u2009caract\u00e8re\u2009\u00bb, la \u00ab\u2009personnalit\u00e9\u2009\u00bb des personnages\u00a0:<\/p><ul><li>Le personnage principal (et cela se confirmera dans les Actes\u00a0II et III) est Silvia. Son caract\u00e8re est complexe\u00a0: Lisette lui reproche une forme <u>d\u2019orgueil<\/u>, de go\u00fbt pour <u>l\u2019originalit\u00e9<\/u>, mais Silvia appara\u00eet d\u2019abord comme une jeune fille <u>inqui\u00e8te<\/u> face \u00e0 une perspective de mariage qui n\u2019est pas synonyme de bonheur pour les femmes de sa condition sociale. \u00c0 noter la modernit\u00e9 de son positionnement \u00ab\u2009f\u00e9ministe\u2009\u00bb.<\/li><li>Lisette, comme souvent dans les com\u00e9dies classiques, est une servante, r\u00e9aliste et terre \u00e0 terre, qui n\u2019a pas froid aux yeux et sait tenir la drag\u00e9e haute \u00e0 ses ma\u00eetres.<\/li><li>Orgon est un p\u00e8re bien diff\u00e9rent des p\u00e8res de Moli\u00e8re. La bont\u00e9 est son trait essentiel (\u00ab\u2009<em>dans ce monde, il faut \u00eatre un peu trop bon pour l\u2019\u00eatre assez<\/em>\u2009\u00bb). Conform\u00e9ment \u00e0 son rang de patriarche (le pouvoir\u00a0\u00ab\u2009arch\u00e8\u2009\u00bb est r\u00e9serv\u00e9 au p\u00e8re \u00ab\u2009pater\u2009\u00bb), il reste toutefois un p\u00e8re qui domine et contr\u00f4le la situation. Nous restons dans une soci\u00e9t\u00e9 patriarcale\u2009!<\/li><li>Mario est un personnage plus en retrait, mais il apporte le grain de sel d\u2019un fr\u00e8re fac\u00e9tieux et ing\u00e9nieux (il semble savoir que le d\u00e9sir est mim\u00e9tique, et fait semblant de courtiser sa s\u0153ur pour provoquer le d\u00e9sir amoureux chez Dorante). Le voyez-vous comme un grand fr\u00e8re ou un petit fr\u00e8re\u2009? Les deux options de mise en sc\u00e8ne sont possibles.<\/li><\/ul><p>L\u2019acte\u00a0II distribue de fa\u00e7on plus \u00e9quilibr\u00e9e les personnages\u00a0:<\/p><ul><li>d\u2019une part se noue l\u2019intrigue entre Lisette et Arlequin (qui incarne et la joie de vivre et l\u2019esprit de parodie quand il ridiculise, en l\u2019outrant, en l\u2019exag\u00e9rant, le langage pr\u00e9cieux de la galanterie)\u2009;<\/li><li>d\u2019autre part progresse l\u2019intrigue amoureuse entre Dorante et Silvia sous forme d\u2019une sorte de \u00ab\u2009torture\u2009\u00bb psychologique \u00e0 cause du caract\u00e8re impossible de leur <em>\u00e9namourement<\/em> r\u00e9ciproque. Silvia, surtout, est dans une situation impossible\u00a0: une jeune fille noble, patriarcat oblige, ne peut se lier amoureusement et sexuellement, \u00e0 un domestique contrairement \u00e0 un noble qui peut nouer de telles relations (m\u00eame si le mariage est inenvisageable sauf d\u00e9choir de son rang et perdre tout ce \u00e0 quoi il donne droit)\u2009;<\/li><li>\u00c0 suivre : le combat int\u00e9rieur de Silvia contre elle-m\u00eame, contre le d\u00e9sir amoureux qui surgit en elle et qu\u2019elle ne se r\u00e9sout pas \u00e0 voir en face tant il est pour elle douloureux. Une expression litt\u00e9raire pour cela : les <u>affres<\/u> (de l\u2019amour) \u2013 \u00ab\u2009<em>affres<\/em>\u2009\u00bb = angoisse tr\u00e8s forte\u2009;<\/li><li>Orgon se montre de plus en plus gentiment malicieux\u2026 ainsi que Mario.<\/li><\/ul><p>Le climax de l\u2019acte\u00a0II est l\u2019avant-derni\u00e8re sc\u00e8ne quand Dorante r\u00e9v\u00e8le son identit\u00e9 et que Silvia cache la sienne. Ensuite la tension retombe dans un court dialogue entre Silvia et Mario o\u00f9 celle-ci invite bizarrement Mario \u00e0 faire semblant de la courtiser (ou plut\u00f4t \u00e0 continuer \u00e0 le faire puisqu\u2019aux yeux de Silvia, qui croit r\u00e9v\u00e9ler quelque chose \u00e0 Mario, celui-ci le faisait par \u00ab\u2009badinerie\u2009\u00bb envers sa s\u0153ur).<\/p><p><u>\u00ab<\/u><u>\u2009<\/u><u>Climax<\/u><u>\u2009<\/u><u>\u00bb<\/u>\u00a0: point extr\u00eame d\u2019intensit\u00e9, peu avant la fin, vers lequel progresse une histoire (ici une partie d\u2019histoire) avant de rapidement se r\u00e9sorber.<\/p><p>Quelle sera le climax de l\u2019acte III (et vu son importance, ce sera le climax de la pi\u00e8ce) ?<\/p><h3><strong>R\u00e9fl\u00e9chissons \u00e0 un \u00ab<\/strong><strong>\u2009<\/strong><strong>Mais Pourquoi<\/strong><strong>\u2009<\/strong><strong>?<\/strong><strong>\u2009<\/strong><strong>\u00bb\u2026<\/strong><\/h3><p><em>Mais pourquoi<\/em> Sylvia ne r\u00e9v\u00e8le-t-elle pas son identit\u00e9 \u00e0 Dorante quand celui-ci lui r\u00e9v\u00e8le la sienne \u00e0 la fin de l\u2019Acte\u00a0II\u2009? Puisqu\u2019elle est d\u00e9j\u00e0 amoureuse de lui et que c\u2019est visiblement un jeune homme tr\u00e8s bien sous tous rapports\u2009?&#8230;<\/p><p>\u00c9videmment, cela signifierait que la pi\u00e8ce s\u2019ach\u00e8ve l\u00e0 (sauf rebondissement \u00e0 imaginer)\u2026 et \u2013 premi\u00e8re hypoth\u00e8se d\u2019interpr\u00e9tation \u2013 le fait que Silvia \u00ab\u2009continue le jeu\u2009\u00bb donne du piment \u00e0 la pi\u00e8ce, permet d\u2019en faire une pi\u00e8ce remarquable.<\/p><p>Mais si l\u2019on cherchait du c\u00f4t\u00e9 d\u2019une explication <em>morale<\/em>, du c\u00f4t\u00e9 de la personnalit\u00e9 de Silvia, que proposerions-nous comme explication possible et plausible\u2009?<\/p><p>Plus troublant encore pour ceux qui chercheront une interpr\u00e9tation de son comportement qui soit \u00e0 l\u2019honneur de Silvia\u00a0: <em>Mais pourquoi<\/em> demande-t-elle \u00e0 son fr\u00e8re de faire semblant de la d\u00e9sirer pour ainsi susciter sinon la jalousie de Dorante, du moins l\u2019augmentation artificielle de son d\u00e9sir amoureux, de son \u00e9namourement\u2009?<\/p><p>Silvia est-elle une manipulatrice\u2009? o\u00f9 est-elle simplement la jeune fille qui nous est apparue d\u00e8s la premi\u00e8re sc\u00e8ne\u00a0: inqui\u00e8te, confront\u00e9e \u00e0 une soci\u00e9t\u00e9 patriarcale dans laquelle le mariage n\u2019est pas n\u00e9cessairement un bonheur pour les femmes\u2009? une jeune fille qui veut se rassurer et mettre toutes les chances de son c\u00f4t\u00e9 en mettant \u00e0 l\u2019<em>\u00e9preuve <\/em>Dorante pour qu\u2019il lui\u00a0<em>prouve <\/em>son amour\u2009?<\/p><p>Mais si nous penchons pour la seconde interpr\u00e9tation, pourquoi demander \u00e0 son fr\u00e8re de jouer un jeu \u00e0 la limite sinon d\u2019une forme de perversit\u00e9 du moins d\u2019une forme de calcul peu \u00e0 l\u2019honneur de la jeune fille\u2009? De plus, \u00e0 vouloir artificiellement augmenter la passion de Dorante pour elle, elle risque de douter de sa spontan\u00e9it\u00e9&#8230; donc d\u2019accentuer son inqui\u00e9tude&#8230;<\/p><p>Que de questions herm\u00e9neutiques \u00e0 creuser (d\u2019abord en \u00e9tant attentif \u00e0 la suite et au d\u00e9nouement de la pi\u00e8ce)\u2009!&#8230;<\/p><p><strong><a href=\"http:\/\/www.dallenogare.biz\/fr4\/wp-content\/uploads\/2021\/03\/20210314-lecture-suivie-jeu-amour-hasard.pdf\" target=\"_blank\" rel=\"noopener\">Afficher et t\u00e9l\u00e9charger le pdf de la note<\/a><\/strong><br \/><a href=\"http:\/\/www.dallenogare.biz\/fr4\/wp-content\/uploads\/2021\/03\/14-20210314-lecture-suivie-jeu-amour-hasard.pdf\" target=\"_blank\" rel=\"noopener\">Version pdf avec police de caract\u00e8re et interlignes plus grands<\/a><br \/><a href=\"http:\/\/www.dallenogare.biz\/fr4\/wp-content\/uploads\/2021\/03\/20210314-lecture-suivie-jeu-amour-hasard.docx\" target=\"_blank\" 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class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<a class=\"e-gallery-item elementor-gallery-item elementor-animated-content\" href=\"http:\/\/www.dallenogare.biz\/fr4\/wp-content\/uploads\/2021\/03\/yrc4316-e1493655593320.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"cd347e1\" data-elementor-lightbox-title=\"yrc4316-e1493655593320\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTk0MCwidXJsIjoiaHR0cDpcL1wvd3d3LmRhbGxlbm9nYXJlLmJpelwvZnI0XC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIxXC8wM1wveXJjNDMxNi1lMTQ5MzY1NTU5MzMyMC5qcGciLCJzbGlkZXNob3ciOiJjZDM0N2UxIn0%3D\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"http:\/\/www.dallenogare.biz\/fr4\/wp-content\/uploads\/2021\/03\/yrc4316-e1493655593320.jpg\" data-width=\"900\" data-height=\"601\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Quelques mots latins\u00a0: Quiproquo\u00a0: Erreur qui consiste \u00e0 prendre une personne, une chose pour une autre\u2009; malentendu qui en r\u00e9sulte. &hellip; <a class=\"more-link\" href=\"http:\/\/www.dallenogare.biz\/fr4\/lecture-suivie-du-jeu-de-lamour-et-du-hasard\/\">Plus<\/a><\/p>\n","protected":false},"author":1,"featured_media":1871,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[22,35,19,5],"tags":[],"class_list":["post-1865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classicisme","category-theatre","category-uaa0","category-uaa6",""],"jetpack_featured_media_url":"http:\/\/www.dallenogare.biz\/fr4\/wp-content\/uploads\/2021\/03\/le-jeu-de-lamour-marc-vanappelghem.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/posts\/1865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/comments?post=1865"}],"version-history":[{"count":46,"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/posts\/1865\/revisions"}],"predecessor-version":[{"id":4806,"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/posts\/1865\/revisions\/4806"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/media\/1871"}],"wp:attachment":[{"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/media?parent=1865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/categories?post=1865"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dallenogare.biz\/fr4\/wp-json\/wp\/v2\/tags?post=1865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}